• 03.12.2016: Emeka Okereke participates in "Promised Land", a London Symposium focusing on Border Politics

    Promised Land symposium – Saturday 3 December – Central Saint Martins. Culture and Conflict CC.

     The next event in our Promised Land programme, in partnership with the Goethe-Institut London, is a one-day symposium on Saturday 3 December at Central Saint Martins in London. This symposium provides a platform for artists, curators, writers, intellectuals and experts to address the promise of Europe as a place of human rights, security and prosperity; and the Europe of borders, refugee camps, populism, and heightened nationalism.

     The event will include artist presentations, discussions and screenings of artists’ films. Confirmed speakers include Ulrike Guerot, Berlin’s European School of Governance; artist Tobias Zielony whose several projects addressing refugees in Germany culminated in a major installation at the German pavilion in Venice in 2015; Emeka Okereke, artist and initiator of Invisible Borders, Nigeria; Nanna Heidenreich, Professor of Digital Narratives at the International Film School, Cologne; artist Phoebe Boswell whose work is anchored in an exploration of ‘home’; Giacomo Orsini, conducting research into borders at the University of Essex; and artist Nikolaj Bendix Skyum Larsen. The day will begin with Christoph Schlingensief’s film, Foreigners Out! (2002); and include a new work commissioned for this programme, Quicksand, by Nikolaj Skyum Bendix Larsen; and in the evening Philip Scheffner’s Havarie (2016).

    For more information, visit:

  • Emeka Okereke nominated for the "Prix Elysée 2016 - 2018"

    Emeka Okereke is one of the 8 nominees for the second edition of the Elysee Museum "Prix Elysée". For more information visit:

    Discover Emeka Okereke's Project titled "As We Recede" which he will be working on with the nominee's production grant:

    Keep checking for updates on the progress of Emeka Okereke's project. 

  • 11.12.15 - 27.02.16: "NO BORDERS", Emeka Okereke at Dominique Fiat Gallery, Paris

    Galerie Fiat Gallery
    16, rue des Coutures Saint-Gervais
    75003 Paris
    11 December 2015 - 27 February 2016. 


    Emeka Okereke
    Safâa Erruas
    Abdoulaye Konaté
    Nicola Lo Calzo

    Emeka Okereke:  Fire to Ash #surfaceofthings #abuja #kubwa #borderbeingproject #fire #borderbeings #transgressingfrontiers, Instagram series. 2015. 20 cm x 20 cm Courtesy of Artist/L'Agence à Paris/ Galerie Dominique Fiat.

    “The border exists but for this plenitude so as to go beyond it, and through it to share the differences fully.” -Edouard Glissant

    The border, real, symbolic or imaginary, has never been so present in our approach and understanding of the world and its movement. Are we the contemporaries of this world, mere observers of the threats and promises of a heavy time, or are we "of this world," full participants of the disasters and possibilities? Let us leave the question open and unresolved. But consider for a moment that only imaginations, in all of their diversity, can, without visas, pass through the walls and cross the borders that separate us in a very real way. In this perspective, the association of the work of Safaa Erruas, Abdoulaye Konaté, Nicola Lo Calzo and Emeka Okereke, is part of the free movement of imaginations that stimulate each other, are mutually revitalized, and shared. The finesse of Safaa Erruas’ monochrome installations responds to the polychromatic explosion of Abdoulaye Konaté drapes. The black and white images of a world that is both unified and divided by Emeka Okereke’s goods are in counterposition to the color photographs of a living world that remembers the crime of slavery in Nicola Lo Calzo’s work. We could develop at will these visible and invisible links between these four imaginations, without ever exhausting their irreducible singularities, but on the contrary, deepening the questions raised by each work. The border is a paradox, a work of art is a paradox. If pain is tender for Safaa Erruas, the collective is singular for Emeka Okereke, if memory is alive for Nicola Lo Calzo, the conscience of the world is secret for Abdoulaye Konaté. Memberships to a territory, a language, a community, are never just starting points; an artistic expression is a journey whose stake is more than ever to “go beyond” all borders. No Borders or Cross Borders? Once again, let it remain an open ended question as with all human endeavor that is escaped and not a closed world. 

  • 14.07 - 31.08: The Rabat Residency – A Collaboration between Emeka Okereke and Emmanuel Iduma

    Title: The Rabat Residency
    Artists: Emeka Okereke and Emmanuel Iduma
    Date: 14th July - 31st August 2015

    Themba is Dead. Lagos, 2015. Copyright Emeka Okereke, Courtesy The Rabat Residency 

    From July 14 until August 31, Emeka Okereke and Emmanuel Iduma will embark on a journey which explores the route and stories of many travelers and settlers caught up in border tensions between Rabat, Tangier and Melilla. Their focus will primarily be on the everyday lives and stories of the people they encounter, with hopes that the works created will be reflections, questions and deductions from their experiences.  This collaborative work is premised on the ability of narratives to uncover the tensions in migration and vagrancy. They will find unique ways to interview and make portraits of immigrants they encounter, hoping to portray in the process the impulses that give rise to (sometimes) ill-fated movement.This will not be a research-oriented trip as such, neither is the aim to produce a scholarly work. Their goal during these six weeks is to implicate themselves, as visitors and strangers in Morocco, in the everyday lives of travelers and immigrants.

    The process and outcome of this project will be presented at intervals at Appartement 22 during which the artists will share their experiences and thought processes with the local artists and audience.

    In the course of preparation, Emeka Okereke was refused Moroccan Visa by the emabssy in Abuja, Nigeria. However, this obstruction has provided an opening for the rethinking of the conceptual premise of the project. 

    Therefore the collaborative project continues regardless of the outcome of Emeka Okereke’s visa application. In the first place, a photographer’s inability to get to the site where he intended to make photographs, based on bureaucratic restrictions, can be the impetus for a conceptual response. The photographic work produced will be triggered by generative conversations Emeka and Emmanuel will have by proxy. The photographs would be based on the intersection of experiences—one in Morocco, the other in Nigeria. In other words, at points where the conversation strikes a remarkable (or familiar) chord between the two realities. It will resonate with histories of performance photography, and expand on the possibilities for the kind of collaborative work artists can produce remotely, and in collaboration. 

    The writer could, in one sense, possess the eye of a photographer, writing about Moroccan encounters and experience devoid of photographic representations. The photographer, in another sense, becomes freed from the constraints of producing merely physical evidence of migration in Morocco; he turns instead to the traces of movement and estrangement in his immediate community, creating photographic works anchored to the carriers of these traces and underlined by the experiences of the writer-photographer conversations.  As collaborators, the writer and the photographer exchange, and work with, conceptual toolboxes. 

    Their work together emphasises borderless artistic communication. Consequently, the restriction placed on Emeka’s movement is subverted by the continued dialogue he has with Emmanuel. The possibilities for this dialogue are endless. The artists would exchange notes, photographs, video clips, audio recordings, found documents; materials with which they construct a bridge between absence and presence, and with which they deride the illogicality of borders.

    Hence, the following elements will shape the continuation of the collaborative project:

    1. There are carriers of the experience of estrangement and obstruction of movement in many African countries, including Nigeria. Their narratives ensure that the previously endangered link (Emeka’s contact with Morocco as a landscape of movement) is reconstructed.
    2. Conversations between Emeka and Emmanuel will occur within the framework of the residency, ensuring that the photographs and writings produced are generated from mutual considerations. 
    3. The considerations for the work will be informed by materials exchanged in the six-week conversation process: drawings, notes, photographs, found documents, audio recordings, etc. 
    4. The outcome of the collaborative project will de-emphasize the absence of Emeka, instead making that absence integral to the process of reflection, and using it as a fodder for an imaginative response to the problem of borders, movement, and estrangement.

    The materials generated during the course of the project are components of a final presentation, in Rabatas well as intermittent diffusion in Appartement 22's Radio 22. 

    This project is in collaboration and hosted by Appartement 22 with Abdellah Karoum as the curator.  

    See links to the outcome of the project so far:

    Recorded conversation featured in Radio 22:

    More details and to follow the progress of the project at Appartement 22's website:

  • 09.05 - 22.11 : Emeka Okereke at the Venice Biennale with the Invisible Borders Trans-African Project

    Invisible Borders has been invited to participate at the #Venice Biennale, titled All the World's Futures and curated by Okwui Enwezor. Emeka Okereke is the Artistic Director of Invisible Borders. His photographic and video works will created over the course of 5 editions of The Road Trip Project will be prominently featured alongside works of other participants. Below is an excerpt of the the Invisible Borders announcement.

    "We are excited to be a part of this renowned event, showcasing artists, film makers, theatre productions and much more from all over the world. 

    Our presentation in the 56th Art Biennale includes a space-installation under the title A Trans-African Worldspace.  It aims to present the Invisible Borders project as a complimentary association between process and outcome. It will emphasize on the collective, dynamic and organic nature of the project while preserving the individuality of the body of works created by various artists. Moreover, we will present in the ARENA a feature length documentary about Invisible Borders followed by a discussion on the State of Things in the trans-African contemporary art scene and the critical ideas at the center of our practice.

    Congratulations to the 136 artists invited to participate, including John Akomfrah, Karo Akpokiere, Sammy Baloji, Nidhal Chamekh, Marlene Dumas, Kay Hassan, Samson Kambalu, Goncalo Mabunda, Ibrahim Mahama, Abu Bakarr Mansaray, Wangechi Mutu, Cheikh Ndiaye, Emeka Ogboh, Joachim Schonfeldt, Massinissa Selmani, Fatou Kande Senghor, Mikhael Subotzky, Barthelemy Toguo,

     Hosted across various venues in Venice the Biennale will open to the public on 9th May and will run until 22nd November. This opportunity to experience some of the world's most current and exceptional artists is both a pleasure and honour and we look forward to sharing our vision, ideas and creativity.

    Click here for more information and details of all participants. "


  • 02.06 - 31.10.14: 5th Edition of the Invisible Borders Road Trip: Lagos to Sarajevo

    Emeka Okere is the Artistic Director and one of the partcipants of the 5th edition of the Invisible Borders Road Trip from Lagos - Sarajevo. You can discover his works and more information on the project on his personal channel on the blog of the project here

  • 26 - 27.09.13: Panelist at "Social Design/Public Action - University of Applied Arts Vienna

    Social design strives to structure and shape society and the environment through human activity. The international and interdisciplinary symposium Social Design – Public Action now looks into the topical subject of social design values in the creation of space in the public realm.

     Hosted by the newly implemented Master Degree program "Social Design. Art as Urban Innovation" at the University of Applied Arts Vienna, the symposium addresses social design as an integral element of communal and transcultural interaction within the urban environment, being shared among all individuals. Social Design - Public Action challenges the cross-examination of our built environment on an international level. It attempts to interweave the discourse into the very fabric of society. It aims at connecting artistic research and the abstract and theoretic sciences with hands-on practice of spatial and cultural production.

     United in an overall attentiveness towards the observation of complex contexts relating to effect and action in space and a thorough understanding and appreciation of the transformational power of architecture over time, Social Design – Public Action brings together internationally-renowned speakers from a wide range of disciplinary backgrounds offering an inspiring bandwidth of perspectives on the subject of social design in contemporary political discourse and creative processes.

     Pinpointing novel and pro-active approaches that draw their conceptual strength from the understanding and envisioning of the combination of multidisciplinary design strategies

    and their consequences in the built environment, the symposium addresses the numerous, current adaptive systems of social and political, as well as ecological and economic challenges and responsibilities we are facing today. Against this backdrop social design is questioned as a means to facilitate the vital formation and transformation of the whole urban network beyond traditional urbanist-architectural and political conventions.

     The symposium has free admission, seat availability is however limited. The symposium will be held in English language.


    Alfredo Brillembourg (USA)
    Anton Falkeis (Österreich)
    Peter Fattinger (Österreich)
    Beatrice Galilee (England)
    Anil Kumar Gupta (Indien)
    Jeanne van Heeswijk (Niederlande)
    Marisa Mazria Katz (USA)
    Hubert Klumpner (Österreich)
    Steve Lambert (USA)
    Thomas Lomée (Belgien)
    Constanza Macras (Argentinien)
    Leonidas Martin (Spanien)
    Emeka Okereke (Nigeria)
    Oliver Percovich (Afghanistan)
    Alexander Römer (Frankreich)
    Saskia Sassen (USA)
    Tatjana Schneider (UK)
    Ion Sorvin (Dänemark)


  • 11.07.2013 - 20.07.2013: Facilitator and Artistic Director of Invisible Borders' The Accra Project

    Invisible Borders comes to Ghana 11-20 July for The Accra Project….

    The Invisible Borders Trans-African Photographers Organisation plans to organise a public space exhibition, workshops, symposium and readings in Accra as part of the follow up activities that comes with the Trans-African Road trip of each year. The space identified for the exhibition is the Nima Roundabout in Accra. The exhibition will transform the public space with imagery of contemporary Africa, displayed on a three-sided 20×40 ft. billboard and in the open grass of Nima Roundabout.

    The intention to make such outings is rooted in the core ideals of Invisible borders which is to transcend limitations, be it the physical frontiers that exists between people or those that exists between the artists and the public who are in fact, the inspiration for their creations. For more information on the programs, see below:

    PHOTO EXHIBITION OPENING | Sat. 13 July | Nima Roundabout

    Reception at St. Kizito School
    Exhibition in the public space of Nima Roundabout featuring works from the Invisible Borders Road Trip and by selected Ghanaian photographers.

    READ-OUT HANGOUT | Wed. 17 July | W.E.B. Du Bois Centre

    Open session featuring readings by participating writers from the Invisible Borders blog as well as from their work produced during the workshop. The evening will be headlined by Chibundu Onuzo, acclaimed author of Spider King’s Daughter (Faber & Faber) and Emmanuel Iduma, author of Farad.

    TALK PARTY Screening & Discussion | Fri. 19 July | W.E.B. Du Bois Centre

    Invisible Borders teams up with Accra[dot]Alt for an exclusive screening of the Invisible Borders film, projection of photographs from The Accra Project workshops, and panel discussion moderated by ‘the funky professor’ Kobby Graham. Mutombo da Poet and Poetry Asantewa on their spoken word game, DJ breaking it down on the turntables.

    WORKSHOPS on Photography, Writing, and Film-Making | 12-20 July | W.E.B. Du Bois Centre

    Workshops for selected participants in photography, writing, and film-making, including discussions, portfolio reviews, and ‘working the city.’


    Invisible Borders is a social intervention by a selected number of 21st century African artists who believe that building a Trans-African highway of the mind and sensitizing the populace toward trans-cultural exchange is the key to maximizing the unexplored potentials of the people of Africa. The Accra Project furthers the aims of fostering dialogue and discussions between people and tribes of the continent through tangible artistic interventions.

    The Accra Project is presented in collaboration with the Foundation for Contemporary Art, Ghana; Accra[dot]Alt; and Nima Muhinmanchi Art.

    The Accra Project is sponsored by Smoothy’s Nourish LAB, Sunshine Salad, Ink-It, Unik Xpressions, Absolut Vodka, and Roots Flavours Restaurant; with support from the W.E.B. Du Bois Centre, Nima AMA East Aywaso Sub-Metro, and St. Kizito Schoo

    To view outcome of the Accra project through images, click here: